5 분 소요

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Marks and Channels

  • Complex visual encodings can be broken down into two components: marks and channels
  • Marks are basic geometric elements that depict items or links.
    • points, lines, areas, …
  • Channels control the appearance of marks to convey data.


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Marks

  • A mark is a basic graphical element in an image.
  • Marks can be classified according to the number of spatial dimensions they require.
    • 0D: point
    • 1D: line
    • 2D: area
    • 3D: volume (not frequently used)


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Channels

  • A visual channel is a way to control the appearance of marks.
  • Independent to the dimensionality of geometric primitives!


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Marks and Channels

  • You can use multiple visual channels to encode more data.
    • x, y, size, color, shape, motion, …
  • However, the more you encode, the harder to interpret (less effective)
  • You can use two or more channels to encode the same thing!
    • Redundant encoding
    • The attributes redundantly encoded will be easily perceived.


Redundant Encoding

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Interaction between Marks and Channels

  • A point mark only conveys position (x and y), so you can encode data to its size (width and height).
  • A line mark only conveys position and length, so you can encode data only to its width (thickness) not its height (= length, already taken!).
  • An area mark is fully constrained, so you cannot encode data to width or height.
    • Exception: Cartograms
    • They carefully alter the boundaries so that the borders remain contiguous and each area’s shape is preserved as much as possible.


Cartograms

  • Cartograms intentionally distort geographical areas to encode data.

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Channel Types

  • Magnitude channels tell us how much of something there is.
    • Good for encoding ordered data (Q, O)
  • Identity channels tell us information about what something is or where it is.
    • Good for encoding categorical data (N, sometimes O)


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Mark Types

  • So far, we have focused on table datasets where a mark always represents an item (a row in a table dataset or a node in a graph dataset).
  • However, marks can be used to represent a link between two nodes in a graph dataset.


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Expressiveness and Effectiveness

  • There are so many visual channels! How can I choose one for my vis?
  • You need to consider expressiveness and effectiveness Data


  • Expressiveness principle: the visual encoding should express all of, and only, the information in the dataset attributes.
    • No less and no more
    • e.g., ordered data should be shown in a way that our perceptual system intrinsically senses as ordered.
    • Beginners tend to encode more data.
  • Effective principle: the importance of the attribute should match the salience of the channel, i.e., noticeability.
    • Allocate more effective channels for more important attributes

Example

  • Any issues in terms of expressiveness and effectiveness?

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Measuring Channel Effectiveness

  • How can we measure the effectiveness of visual channels?
  • There can be many criteria…
    • Accuracy (how accurately can humans read the true value from a representation?)
    • Discriminability (how many different values can be encoded in a discriminable way?)
    • Separability (with what other channels can a channel be used together?)
    • The ability to provide visual popout
    • The ability to provide perceptual groupings


Accuracy

  • The obvious way to quantify effectiveness is accuracy
  • How close is human perceptual judgement to some objective measurement of the stimulus?
  • Humans perceive different visual channels with different levels of accuracy.
  • It is known that our responses to the sensory experience of magnitude are characterizable by power laws.


Stevens’s Power Law

$S = I^n$

  • S: the perceived sensation
  • I: the physical intensity
  • If n = 1, the perceived sensation is exactly proportional to the physical intensity (most accurate).
  • If n > 1, the sensation is magnified, and if n < 1, the sensation is compressed.


  • A channel with n close to 1 can be considered effective.
  • Length has an exponent of 1.0 (the most accurate).
  • The other visual channels are not perceived as accurately.
  • Area and brightness are compressed.
  • Red gray saturation is magnified.


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  • Which channel is more effective?

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Effectiveness Ranks

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Results from Controlled Experiments

  • Task: proportionality estimation
  • Estimate what percentage the smaller value was of the larger
  • T1-T3: position on common scale
  • T4-T5: length


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Effectiveness Ranks by Data Type

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Discriminability

  • If you encode data using a particular visual channel, are the differences between items perceptible to the human as intended?
  • Quantify the number of bins that are available for a visual channel, where each bin is a distinguishable step or level from the other.


  • How many different linewidths can you see?

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  • How many different levels of lightness can you see?

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  • How many different levels of lightness can you see?

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  • How many different hues can you see?

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Separability

  • Some channels have interactions with other channels!
  • Be careful when you use more than two channels at once.
  • How accurately can people access information encoded by each channel?

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  • The important idea is to match the characteristics of the channels to the information that is encoded.
  • If the goal is to show the user two different data attributes, you need to use separable channels (e.g., position + hue)


Visual Popout

  • Another important aspect for measuring effectiveness of a channel is whether it provides visual popout
  • Sometimes, called preattentive processing or tunable detection
  • For some visual channels, our low level visual system can process the information in a massively parallel manner.
    • Even without the need for the viewer to consciously directly attention to items one by one (preattentive).
    • Less than 200-250 ms
    • Involves only information available in a single glance


  • How many ‘3’s?

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  • Find a red dot!

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  • It is hard when there are many distractors!
    • We do perform serial search

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  • Popout happens for a single visual channel!
  • Most pairs of channels do not support popout , but a few pairs
    • Space + Color
    • Motion + Shape
  • Popout is not possible for three or more channels.


Preattentive Channels

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Grouping

  • The last criterion is whether a channel supports perceptual grouping.
  • The easiest way to show visual elements as groups is just to connect the elements!
  • However, it is possible without using extra lines…


  • Gestalt laws tell how humans naturally perceive objects as organized patterns and objects.


  • Proximity: Things that are close together are perceptually grouped together.
  • Similarity: Similar objects are perceptually grouped
  • Connectedness: Connected objects are perceptually grouped
  • Continuity
  • Symmetry: Symmetric objects are perceptually grouped together.


Proximity

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Similarity

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Connectedness

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Continuity

  • Humans are more likely to construct visual entities out of visual elements that are smooth and continuous, rather than nes that contain abrupt changes in direction.

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Symmetry

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Relative versus Absolute Judgements

  • The human perceptual system is fundamentally based on relative judgements.
    • the amount of length difference we can detect is a percentage of the object’s length.
  • Weber’s Law

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  • I is a stimulus intensity.
  • 𝐾 is a fixed percentage.


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Summary : Marks and Channels

  • Marks are basic geometric elements that depict items or links.
    • Points, lines, areas, …
  • Channels control the appearance of marks to convey data.
    • Position, color (hue, luminance, saturation), size, shape, tilt, motion, …
  • Expressiveness and effectiveness
  • Channels can be ranked according to their effectiveness.
    • Accuracy, discriminability, separability, popout , and grouping
    • Visual popout or preattentive processing
  • Humans are good at relative judgements.

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